What
have I been reading, and in some
cases re-reading, these delicious
summer days in Chicago?
Anything
written by Dani Shapiro!
I
hope that name rings a bell.
I declared her book STILL WRITING: THE PERILS AND PLEASURES OF WRITING a
must-have for every writer’s shelf in my June 2 post.
Part
memoir, part meditation on the creative process, part advice on craft, Dani
Shapiro’s words enabled, empowered and equipped me to return to my writing and
keep on keepin’ on.
In
sharing those words weekly with my summer Newberry Library Writing Workshop
students, I watched them do the same.
I
knew instantly from her confession early on in STILL WRITING that I wanted and
needed to read Dani Shapiro’s body of work, both fiction and nonfiction.
“My words are my pickax, and with them I chip
away at the rough surface of whatever it is I still need to know.”
I began with SLOW MOTION: A MEMOIR OF A LIFE RESCUED BY TRAGEDY, Dani Shapiro’s honest, heartfelt telling of her true story, “a life turned
around – not by miracles or happy endings, but by unexpected personal
catastrophe.”
Next
I read DEVOTION: A MEMOIR, the story of her ongoing three-tiered inner journey
to discover what makes a life meaningful.
The
novel FAMILY HISTORY followed. Living up
to its flap copy, it was indeed a “stunning and brutally honest novel about one
family’s harrowing recovery from devastation.”
Rachel Jensen’s story of the family crisis brought about by her
adolescent daughter’s pain grabbed me from the get-go and wouldn’t let go.
I
can say the same about BLACK & WHITE’s Clara Brodeur and her story which explores the stuff and
limits of the mother-daughter relationship.
All
of the books mentioned, whether memoir or fiction, totally absorbed me. I adore reading
stories about families, about creative souls, about the human condition. I worried.
I cared. Each book spoke to me - the mother, grandmother and former wife,
the daughter and sister, the human being, but also, the writer and teacher. Each book was literally un-put-downable. Dani Shapiro writes elegantly, truthfully, her
camera lens focused on only what’s important to the characters and their
internal and external actions. Her
superb craft in seamlessly weaving important back story details into the forward-moving
story is to be envied, as well as studied.
And
study it I did, because that’s how I learned my craft long ago, when I knew
zippo about how to write for children: I read the bodies of work of Charlotte
Zolotow and James Marshall and MarjorieWeinman Sharmat, when I longed to write
picture books, of Betsy Byars and Phyllis Reynolds Naylor and Lois Lowry, when
I longed to write a novel. I read them
first as a reader, second as a writer. And
I spent time learning their writer’s stories too.
I
now subscribe to Dani Shapiro’s blog - which is how I first discovered STILL WRITING, thanks to Carmela’s Facebook sharing of Bruce Black’s April 18 sharing
of the blog post “On the Long Haul” on his blog Wordswimmer.
Fortunately, the summer’s not over and neither is my reading. Dani Shapiro’s novels PICTURING
THE WRECK, FUGITIVE BLUE and PLAYING WITH FIRE are currently on hold for me at my local Chicago
Public Library branch.
I
clipped these words by Barbara Kingsolver from my Sunday Chicago
Tribune.
“I learned to write by
reading the kind of books I wished I’d written.”
How true, how true.
Happy
(Summer) Reading - and - Writing!
Esther
Hershenhorn
P.S.
If
you’re in the Los Angeles area and want to write picture books, check out my fellow TeachingAuthor April Halprin Wayland’s
upcoming class – Writing Picture Books for Children. It's Wednesday nights from
August 6 through September 10.
4 comments:
Well, I see I have some reading to do. Thanks for the recommendations. I am heading over to her blog right now.
Esther--it's funny, I've never set about to read one author's complete works. You've inspired me to do so!
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