Marilyn Singer returns to the reverso, a poetic form she created, in Mirror, Mirror.
The reverso is quite clever. First you read the poem from top to
bottom. Then you flip it and read it from the bottom up. The reverso
proves the old adage "there are two sides to every story." Singer
describes the collection best: "Imagine / fairy tales / upended." And
now reversed: Upended / fairy tales? / Imagine!"
In Follow Follow, Singer takes twelve tales and breathes
new life into them. Too often people perceive fairy tales as unchanging.
This couldn't be further from the truth. In this collection readers
will hear from Thumbelina and the mole, the tortoise and the hare, the
twelve princesses and the soldier. At the end of the book Singer offers
more information about the tales and the reverso form. Josee Masse's
beautifully bright illustrations offer readers a visual of both sides of
each tale.
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This is a beautifully designed poetry picture book in which the
gentle watercolor paintings by Robbin Gourley, the layout of poem and
painting on each page, and even the spidery font of the text work
together to create a poetry collection that is both inviting and
comforting. The natural world has long been the topic of poetry for
young people and VanDerwater taps into the child's connection with the
simplest details: pinecones and sticks, footprints and flying birds,
with poetry that offers many tactile details that invite children to
touch, smell, and see the world outside their iPads in tangible ways.
She also offers a variety of poetic forms so children (and teachers) can
see how poets use the words and space on the page. Her use of rhyme is
particularly noteworthy -- making it look so natural -- as if we all
spoke in lyrical language when captured by the beauty of the forest.
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The ambition of this beautiful collection of more than 100 poems is
truly to encourage students to learn poems by heart. Editor Kennedy's
preface includes practical tips on memorization, ending with, "I hope
that…once they learn them by heart, they won't even need this book."
Classic, contemporary, nonsense poems and poems that challenge readers
to think are organized organically within each of ten sections . These
sections are about self, family, school, sports and war, with an extra
credit section for those who want to memorize even longer poems. Every
section begins with an engaging one-page introduction, often disclosing
Kennedy's personal connection with the poems that follow. Its premise,
poetic choices and the editor's enthusiasm throughout as well as the
exquisite watercolor paintings by Jon J. Muth which, as Kennedy writes,
"add meaning, depth and freshness to the poems" combine to make this an
award-winning book.
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In this follow-up to 2007's Animal Poems (itself a Cybils
finalist that year), Worth again brings her seemingly simple subjects to
life in a sophisticated yet accessible way. Readers will meet her
"plug-ugly" pug, the bull who "would not melt", a mouse "left as a gift
on the step", and sparrows and pigeons who "seem at home where there
appears to be no home", plus fourteen other inviting, inspiring, or
sometimes intimidating creatures. Jenkins adds color and texture to each
poem, from the silver sparkle of a wood thrush's eye to the distressed
look on a too-long dachshund's face, making each two-page spread
pop. Pug is a masterful book of free-verse poems and illustrations that
will challenge readers to view animals from an entirely new perspective,
and to admire the subtle behaviors, attitudes, and characteristics that
make each one unique.
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Any young reader longing for a pet will want to read this riotously
funny research romp by a bespectacled young girl on a quest to find the
perfect pet. Readers are forewarned that "Animals aren't always
charming." Notebook in hand to track observations, she visits a farm,
zoo, and the woods as well as performing a "home study." What she
concludes from her research may surprise readers.
Wheeler's tongue in cheek verses will provide laughs for all while
introducing readers to a variety of pet possibilities. Combined with
Zachary OHora's use of strong lines yet whimsical acrylic illustrations
this book will be read and reread. What stood out in The Pet Project was the author's ability to weave words, poems, and a little bit of science into a fabulous collection.
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Nominated by:
Sylvia Vardell
Truly a miraculous little book, and hard to categorize in some ways.
It's divided into four sections: 1. chants & charms - to bolster
courage and guard against evil; 2. spells & invocations - to cause
something to happen; 3. laments & remembrances - to remember,
regret, or grieve; and 4. praise songs & blessings - to celebrate,
thank, or express love. I love the idea of giving children both poems
and permission to express and validate their emotional experiences.
Reviewed by Kelly Fineman,
Writing and Ruminating
@kellyfineman
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Written by 2011-2013 Children’s Poet Laureate J. Patrick Lewis,
this valuable book of poetry profiles seventeen civil rights leaders,
the famous and the not-so-famous. Each poem has a two-page spread with
gorgeous artwork by five different artists.The title of the poem
explains the person’s role. Mitsuye Endo is "The Captive": “I was a
typist, nothing more. / I loved my life, I hated war.” A short biography
in the back of the book explains how she fought for her civil rights
after being held in a World War II Japanese internment camp. This
collection can be used year round to celebrate the heroes of civil
rights. For children and teens who want to change the way things are,
this smart and intriguing look at key civil rights figures can guide the
way.
Good luck to the Round Two judges: